I start to bring the textures out with dry-brushing. Imagine about 80 degrees F, Bad Religion playing (rather loudly) two fans blowing and you're right here with me. I'm thinking about these angels. Why I do them and what I experience during the making. I wonder if any of that comes through. I'm the only one who can attach the source vision to each one, or the experience of the process. I keep thinking I might do one on site at a convention, or document one on film. Still, I don't know what that would do.