I'm sequestered today to write things down. It's blazing hot outside but in here, the light is working out okay.
Sunday, July 29, 2012
Tuesday, July 24, 2012
Don't overlook the obvious, fool.
As soon as I sat down to write this, my stomach started to rumble, reminding me that I've had coffee and no breakfast yet, though I've worked in the studio for over two hours. So I stopped to pour a bowl of Cheerios with a hand full of almonds thrown in. And some juice. My knee jerk would've been to grab another cup of coffee, but I remembered a conversation I had with Orion last week about how important breakfast is. In the middle of it, I'd remembered I hadn't eaten either:
"I have a confession."
"What?"
"I didn't eat breakfast this morning either and I've been up longer than you. I can't expect you to listen to my advice if I don't follow it myself, can I?"
He took my hand in his small one, looked me in the eye and said," You've been doing that a lot lately, Mom."
And then he gave me the Cheese Touch and victory-danced away.
Maybe you're a professional artist like me, or a writer, or own a small business. Maybe you're a parent or student. Maybe you're affected by the recession and pushing hard to recover, or maybe you're putting in extra hours for a project or a better job. Maybe you're dealing with a personal challenge.
Very likely, where you are today is some combination of the above and whatever that is, you find yourself in a juggling act. You may be running faster and working harder than you ever thought you would, to get to something you might not be sure you want, or that might come on its own if you let it.
I'm going to eat breakfast and swim every day. I don't know why I stopped but somewhere in there I decided that I didn't have time for it. I'll make that eye exam appointment, brush and floss, take breaks when I need them. I'll take my own damned advice.
Thing is, if we don't take care of ourselves, we're already doing a poor job. It's a product of short-sightedness and, in a sense, selfishness. The stress on our faces affects those around us. Our energy levels affect our performances overall.
Balls get dropped.
If we take care of our projects, tools and other people and neglect ourselves, the juggling act is just that - an act.
"I have a confession."
"What?"
"I didn't eat breakfast this morning either and I've been up longer than you. I can't expect you to listen to my advice if I don't follow it myself, can I?"
He took my hand in his small one, looked me in the eye and said," You've been doing that a lot lately, Mom."
And then he gave me the Cheese Touch and victory-danced away.
Maybe you're a professional artist like me, or a writer, or own a small business. Maybe you're a parent or student. Maybe you're affected by the recession and pushing hard to recover, or maybe you're putting in extra hours for a project or a better job. Maybe you're dealing with a personal challenge.
Very likely, where you are today is some combination of the above and whatever that is, you find yourself in a juggling act. You may be running faster and working harder than you ever thought you would, to get to something you might not be sure you want, or that might come on its own if you let it.
I'm going to eat breakfast and swim every day. I don't know why I stopped but somewhere in there I decided that I didn't have time for it. I'll make that eye exam appointment, brush and floss, take breaks when I need them. I'll take my own damned advice.
Thing is, if we don't take care of ourselves, we're already doing a poor job. It's a product of short-sightedness and, in a sense, selfishness. The stress on our faces affects those around us. Our energy levels affect our performances overall.
Balls get dropped.
If we take care of our projects, tools and other people and neglect ourselves, the juggling act is just that - an act.
Monday, July 16, 2012
Night Sky
It's summer, so we're probably spending more time outside. Some of that time may be spent looking up into the night sky. I know I do - and did. It's why Pete and I named our son Orion. Early on, I'd lie on my back in the grass looking up and trying to grasp the enormity of it. Looking with my friends, having "what if" sorts of conversations. Now, advances in science have provided much more information than we had then. We even have photographs of places we once could only imagine. But that information only makes the questions bigger. I'm one of the humans who likes the questions. They're the stuff that gets me up in the mornings and keeps me going when the going is difficult.
Some people are so consumed with the questions that they use their great intellects to help us find better ways to ask them. These are the inventors, the researchers, the explorers. They are thirsty for answers and eager to share them.
Some people don't like looking up. It makes them uncomfortable or even afraid. Not everyone wants the night sky to remind them of the big questions. They might quietly make up answers for themselves or decide to believe answers that others made up. They want nothing to do with the searching and do their best to ignore it. They contribute in other ways and live their lives looking through their fingers. They might build shells about their made-up answers. The shells are question-proof and stuffed with distractions. They avoid people who question. They run fast to avoid asking. Sometimes they can't run fast enough.
Then, there are people who refuse to look. They are so terrified of the questions that they try to silence them, sometimes with lies and unkindness. The questions threaten their comfort zone. They are willing to hurt or even kill other humans to quiet the questions. Sometimes this is a few humans and sometimes it's many.
This group includes the passive ones who allow this silencing.
Don't underestimate how dangerous they are.
Really, the question we ask when we look up at the night sky is, "Who am I?"
It's a big question.
Finally, some humans look at the night sky with peaceful longing. They are sure that whatever the answer might turn out to be, it will lead them home.
Those are the ones who dance.
Saturday, July 07, 2012
Listen
I'm listening to the music of Derek Bailey. It's rich and layered, engaging. Oddly, I remember an old Sesame Street bit. Not so very odd on second thought, as it too is about layers of sound. In it, we enter a room in a typical household where the television is on, a vacuum cleaner running, a dog barking, and a faucet dripping - or so on. It's been a long time but you get the idea. In succession, each of these sounds goes away until we're left with only the faucet, then, one by one, they're added again.
It makes me think about listening.
I've been plagued these last months - a year? - with the urge to write. I call it 'plagued' because this is a very inconvenient time for writing. I seem to have a lot on my plate. Then again, it might be possible with better time management and less princess scardy pants. Most likely, I'm somewhere in the middle of that.
But that's not the point I'm making.
I'm writing whether I want to or not. I find myself doing it in bits. Inconvenient bits. What does that mean? I'm also finding it harder and harder to shut off the writing in my head. That's just part of being human. Hundreds of words go through our conscious minds every minute.
What I'm discovering these last weeks is that I work better, in my visual sort of alphabet, when I can shut that off for a bit. I can do that easily when watching a movie in the theater. But it's not so easy to do elsewhere.
But...the music is there. One of my favorites is the sounds in a busy restaurant. I like to close my eyes and listen. There are layers there, rhythms and notes and textures.
Same in a playground, car, on a hillside, your back yard and one of my favorites - under water.
It's not as easy as I thought it would be, to listen without speaking in my head. Maybe it's easier for you. But I doubt it, because if Poppets have taught me anything about being human, it's that we're more alike than we can ever know when it comes to the basics. Still, in my experience, it's worth the effort. Already I can tell a difference.
Listen. Until you can hear the oboe. Or the night birds. Or the sound of your own breathing.
It makes me think about listening.
I've been plagued these last months - a year? - with the urge to write. I call it 'plagued' because this is a very inconvenient time for writing. I seem to have a lot on my plate. Then again, it might be possible with better time management and less princess scardy pants. Most likely, I'm somewhere in the middle of that.
But that's not the point I'm making.
I'm writing whether I want to or not. I find myself doing it in bits. Inconvenient bits. What does that mean? I'm also finding it harder and harder to shut off the writing in my head. That's just part of being human. Hundreds of words go through our conscious minds every minute.
What I'm discovering these last weeks is that I work better, in my visual sort of alphabet, when I can shut that off for a bit. I can do that easily when watching a movie in the theater. But it's not so easy to do elsewhere.
But...the music is there. One of my favorites is the sounds in a busy restaurant. I like to close my eyes and listen. There are layers there, rhythms and notes and textures.
Same in a playground, car, on a hillside, your back yard and one of my favorites - under water.
It's not as easy as I thought it would be, to listen without speaking in my head. Maybe it's easier for you. But I doubt it, because if Poppets have taught me anything about being human, it's that we're more alike than we can ever know when it comes to the basics. Still, in my experience, it's worth the effort. Already I can tell a difference.
Listen. Until you can hear the oboe. Or the night birds. Or the sound of your own breathing.
Sunday, June 24, 2012
One Objective Leads to the Next
This from Seth Godin's blog:
Doing the big work (at the little table)
Most of the day is spent in little work. Clerical, bureaucratic, meetings,
polishing, improving, reacting, responding.
The obligation is to carve out time for the big work.
The big work that scares you, that brings risk, that might very well
fail.
And we're most likely to do that work when it's least expected, when the
table is small, the resources are lacking and time is short.
No need to wait for permission or the lightning bolt of inspiration. The big
work is available to you as soon as you decide to do it.
___
Seth's words really hit home for me. In my universe, the Big Work is putting together a book. The book. That's the project that scares me. And he's right - the bits I get done seem to happen when I don't expect them. At least it's coming along.
The book is a long-term goal. I have every reason to expect to meet it. In the meantime I must control my sense of urgency about it. The urgency seems to come both from my natural drive and from my natural anxiety. (I believe drive and anxiety are related.) And, yes, I'm a bit afraid of it. But I'm coming around.
In the meantime, I'm working on some involved but less overwhelming projects. The first is a working Ouija board to be released in August, just as we begin to anticipate Autumn. The next is to complete a set of Tarot cards. The idea is to use the momentum from each of these projects to fuel the next. It will be interesting to see how that goes.

In the spaces between, Poppets must happen, because they fuel everything else.
The last few days were spent creating a Space Jockey Poppet. It encompasses all my nerdy love for the Alien universe and my disappointed longing for Prometheus. In the end ( as usual )poppet proves to speak better than I.
I won't kid you - this piece was hard work. But it was really, really fun too.
One objective leads to the next.
In between, I'll make some space suited poppets to go along with our Space Jockey. Here's my question - do I suit them according to Alien or Prometheus? Or do I allow poppet to make that call for me? Time will tell, but I'd like to hear what you think. And any thoughts on Prometheus.
Hope your Sunday is good. Oh! - and here's the 360 degree view:
Monday, June 18, 2012
Ghosts
Summer is here. We swim in the dark and sleep with no covers, listening to fans blowing and night birds chirping. The heat comes up with the sun and the crows launch immediately into raucous conversations. Outside the air shimmers in the heat. Inside, we look for ghosts in the darkest corners. Sometimes they let us find them.
Wednesday, June 13, 2012
How motivation is working out, so far.

I finally was able to finish The Hanged Man Tarot poppet. I understood why it took so long, finally, because once it was done, I experienced the relief of catharsis.
I've been the hanged man. But then, you likely already know that.
Then I finished The Empress who, in person, looks as though she might rise from her seat at any moment. Neil mentioned the Tarot poppets on Twitter and several people suggested I start a kickstarter project for that. I think though, I'll continue as is and let it develop over time. Each time I get a commission for one of the major arcana, I collect the images that will become the cards. I don't know that this will be the first Tarot deck created from images of three-dimensional work, but I like that aspect. I'm falling in love with the idea of a poppet deck, for sure.
The first kickstarter project I try will be for the book. I haven't talked about it much lately because I was apparently busy figuring things out whilst hanging upside-down on a metaphorical living cross.
Since Sunday, I've spent my studio hours finishing and packing pieces ordered on Etsy. By letting go of what was becoming a frantic search for inspiration, I was able to find a great deal of satisfaction in paying attention to details of this aspect of my work. All the while though, I sense that I'm no longer in a holding pattern. More and more often as I work I'm stopping to make notes. This might be what's stirring up the clawed creature that will eventually transform me into the creative Hyde that connects the dots and writes and makes large things that move about.
I'm a romantic at heart. I like the idea of trekking out into the wild to find and conquer my muse. But I've lived this artistic life long enough to know that every day isn't that day. In the meantime, there are poppets, whom I love and who love me.
So I'm working quietly, hardly glancing at that corner. Whatever's there in the shadows will leap out at me when it's ready. Or when I am.
Sunday, June 10, 2012
Motivation isn't Inspiration
It's Sunday morning, the house is quiet and I can choose how I want to spend the day. This is a privilege and I know it. Pete has taken charge of the Orion unit and I am free. Given that I have hours of freedom, what I want to do is make something. I want to be in the zone. It's not writing I'm looking to start with. I want to start with my hands, with broader movements.
Now. Inspiration.
Inspiration?
Hmm. There's no equivalent to checking to see if it's plugged in. I can go put my feet in the water and wait. But I know that's not going to work. Works for phone appointments. This is something altogether different.
And something - I've had to admit of late - that I've utterly and shamelessly taken for granted.
Dammit.
I mean, me. Damn me. What an asshole!
I've written more than once that I never get blocked.
I can always make something beautiful.
I can always make toys.
I wasn't lying. At the time it was true. Because I took the inspiration for granted. Without it, where is my motivation? Motivation is not inspiration. They're not the same thing at all. But they're related.
How?
Let's think about that. Inspiration brings motivation. Inspiration can breathe life into the most exhausted of souls. It can animate, re-animate the immobile, wake the sleeper, slap inertia into a running leap.
Can motivation inspire? What motivates an artist to make art? Artists know these answers. They're the same answers that motivate everyone to every thing. Survival, duty, guilt, shame, love, boredom, coffee and so on and on.
Can motivation lead to inspiration? Well, I can tell you from experience that inspiration often comes on strongest when I'm already working.
How do I know I'm going to get up and go to work? I just realized that I will. Just now. Because my hands have twisted my hair into a bun and stuck a pencil in it, almost unconsciously.
I'm not inspired today, but I'm motivated. Today I'm motivated by my desire for inspiration. I want it, and it's not hovering around waiting for me. I'm going to have to work for it. I may have to apologize for taking it for granted. Fair enough.
I don't know what will come of my work today, but when I tie on my apron I'll mean it. When I tie on my apron I'll understand that there's no guarantee inspiration will follow. But effort will. I'll give it my best effort.
We can't always begin inspired. Sometimes we have to begin with motivation. Motivation is not inspiration, but it doesn't need to be. It is its own creature, with its own purpose. It's gritty and real and present. It has mass and requires a different sort of fuel and can survive without inspiration. It's something altogether different from inspiration, and it seems that this is my curriculum for today.
Now. Inspiration.
Inspiration?
Hmm. There's no equivalent to checking to see if it's plugged in. I can go put my feet in the water and wait. But I know that's not going to work. Works for phone appointments. This is something altogether different.
And something - I've had to admit of late - that I've utterly and shamelessly taken for granted.
Dammit.
I mean, me. Damn me. What an asshole!
I've written more than once that I never get blocked.
I can always make something beautiful.
I can always make toys.
I wasn't lying. At the time it was true. Because I took the inspiration for granted. Without it, where is my motivation? Motivation is not inspiration. They're not the same thing at all. But they're related.
How?
Let's think about that. Inspiration brings motivation. Inspiration can breathe life into the most exhausted of souls. It can animate, re-animate the immobile, wake the sleeper, slap inertia into a running leap.
Can motivation inspire? What motivates an artist to make art? Artists know these answers. They're the same answers that motivate everyone to every thing. Survival, duty, guilt, shame, love, boredom, coffee and so on and on.
Can motivation lead to inspiration? Well, I can tell you from experience that inspiration often comes on strongest when I'm already working.
How do I know I'm going to get up and go to work? I just realized that I will. Just now. Because my hands have twisted my hair into a bun and stuck a pencil in it, almost unconsciously.
I'm not inspired today, but I'm motivated. Today I'm motivated by my desire for inspiration. I want it, and it's not hovering around waiting for me. I'm going to have to work for it. I may have to apologize for taking it for granted. Fair enough.
I don't know what will come of my work today, but when I tie on my apron I'll mean it. When I tie on my apron I'll understand that there's no guarantee inspiration will follow. But effort will. I'll give it my best effort.
We can't always begin inspired. Sometimes we have to begin with motivation. Motivation is not inspiration, but it doesn't need to be. It is its own creature, with its own purpose. It's gritty and real and present. It has mass and requires a different sort of fuel and can survive without inspiration. It's something altogether different from inspiration, and it seems that this is my curriculum for today.
Thursday, May 31, 2012
A Poppet Needs the Water
It seems to me that artist types tend to think too much.
Without this deep examination, where would the work come from? It's the looking outward and looking inward that creates layers and imbues the work with meaning.
The art expresses the thoughts and the expression isn't lost on the viewer, who also tends to think too much.
The viewing is a conversation. It's where the artist and viewer can connect on a level not accessable in any other language. It's a private conversation and it's where we spill our guts. It's you and me in the treehouse in the back yard, eating stolen cookies and talking in whispers about our parents and the stuff that really scares us.

This is important, I think, because it keeps us from feeling alone on these deeper levels, these places where we keep the things we don't talk about at the office.
So thinking is valuable. It helps us create the work that brings us together. But what is too much? When do we know we've gone too far? When do we know we're out of balance?
For me, it's revealed in sleep, or lack of it. Less dreaming, more waking. When thinking follows me to my pillow.
I've seen enough news for now. I'm starting to connect the dots. Not good. I'm going to tune it out for a little while. The world will spin on and I will take to the water. Under there, in the blue and cold, there's little but the present. I haven't been swimming much lately. Been too busy thinking. But I dove in yesterday and remembered that under there, there is only being. It's a refuge from myself.
What's your refuge? How do you know when you're thinking too much? What do you do to tune it out? How do you manage, when you need to, to simply be?
Without this deep examination, where would the work come from? It's the looking outward and looking inward that creates layers and imbues the work with meaning.
The art expresses the thoughts and the expression isn't lost on the viewer, who also tends to think too much.
The viewing is a conversation. It's where the artist and viewer can connect on a level not accessable in any other language. It's a private conversation and it's where we spill our guts. It's you and me in the treehouse in the back yard, eating stolen cookies and talking in whispers about our parents and the stuff that really scares us.

This is important, I think, because it keeps us from feeling alone on these deeper levels, these places where we keep the things we don't talk about at the office.
So thinking is valuable. It helps us create the work that brings us together. But what is too much? When do we know we've gone too far? When do we know we're out of balance?
For me, it's revealed in sleep, or lack of it. Less dreaming, more waking. When thinking follows me to my pillow.
I've seen enough news for now. I'm starting to connect the dots. Not good. I'm going to tune it out for a little while. The world will spin on and I will take to the water. Under there, in the blue and cold, there's little but the present. I haven't been swimming much lately. Been too busy thinking. But I dove in yesterday and remembered that under there, there is only being. It's a refuge from myself.
What's your refuge? How do you know when you're thinking too much? What do you do to tune it out? How do you manage, when you need to, to simply be?
Monday, May 21, 2012
Another View
When I was a little kid, I used to lie on edges and look at the world upside down.
I'd lie on the floor and imagine the ceiling was the floor. I liked the strangeness of it.
Thinking about things upside down seems to be a good exercise for humans. Our brains have rooms that seldom get explored. They're good rooms, bigger inside than out. When we leave these rooms, we take something with us-- perspective.
And perspective changes our world.
Silly humans!
Have some fun.
Friday, May 18, 2012
Strange Chapter 2
Change is a funny thing. When I watched Can't Stop, the documentary about Conan O'Brien, I realized that I'd forgotten how much we humans are alike. You'd think that nothing about this documentary would apply to your own experiences, and you'd be dead wrong.
Size matters not. A very wise being has taught us.
Bigger inside than out. Wise words from a very small other.
Change. It's inevitable and sometimes it's gradual. But sometimes we get knocked over sideways by a big event, or a cascade of big events.
What we're really thinking about here is adaptation.
The funny thing is, when I started to know I'd turned a corner, it came very quietly. I honestly thought it would be bigger, some fanfare for the shift. But no. Today I'm looking back over the past few weeks and realizing that it's been creeping up on me. Others noticed before I did.
I posted recently that I had the sensation that I'd walked into the ruin of a room after a party and was frozen, not knowing where to start. I didn't realize that walking into the room was a beginning--was, symbolically - what happened after 'waking up.'
It will mean adaptation is not a straight line.
I did eventually decide where to start. Close to home. It seems such a little thing, this change. Time will tell. But it's a start.
I want to introduce you to Little Red Poppet. You can add 2.0 if you like. Or organic if you like. It is that, in style, with softer lines and more fluidity. And in the materials, which are infinitely greener than resin. (I feel good about that.) Still, always watching.
Eliminating resin casting is a simple but fundamental change that will free me to work
more creatively.
This change will open the door to others.
Adaptation and evolution. Poppets told us this was coming. Your Classic Red Poppet is officially that. And your artist is, once again, dusting off her pants and tying on her apron.
Yes. It's a start. If you're feeling bogged down, do watch the documentary. Even if you're not a fan of Conan, you may well relate to the process. You may find out you're doing exactly what you should. And I'll keep posting so you can watch me slip and stumble through mine. Thank you, as always, for being here.
Tuesday, May 15, 2012
Prepare to be Surprised
I should likely continue with my 'summer camp' analogy. The temperatures are moving and there's no denying that some brutal months are coming up fast. I want to say this will be my last summer in the desert. I'm going to operate on that theory anyway. It might make the summer months more bearable.
So, back to that summer camp analogy. I've had several lean years recently. Right. I'm in a lot of good company. And some real relationship upsets. Can't have everything. I told you I've learned that a girl needs a knife. What else have I learned? I've learned that interesting people aren't safe and that safe people aren't interesting. I'm fairly convinced that the best approach is to decide which one of those things you are, and which one of those things you like in others,
because you aren't going to get both.
I'm also fairly convinced that there's a general rubric hiding in here, about being human. I've wasted a fair amount of time and energy trying to change certain things about myself. For instance, I'd like to be one of those people who has an organized closet and always knows exactly where her phone is. I'm not. In fact, I'm not sure where my phone is right now. I'd also like to be one of those artists who exudes coolness and mystery. I'm not that either. I wear jeans and ratty old sweaters and if something truly strikes me as funny, I might smack my leg like a hillbilly. Yeah, I know. That's hot.
It seems to be a matter of being honest with ourselves about what we value most (like safety vs challenge) and the stuff we can't change (like hard wiring and height) and then working the details around the edges.
It's harder than it sounds. But the rewards are very high.
Still, after all these words about knowing this and accepting that, there is the unexpected. True surprise is a rare thing. We can understand and still have a sense of wonder. We are, after all, bigger inside than out. And, once in a while, it rains unexpectedly in the desert.
Thursday, May 10, 2012
What I Learned in Summer Camp
Safe and Sound
are only words until they're gone. If we're lucky, they'll come back
and give us another chance at understanding what they are.
Silly humans.
Every now and then I imagine myself at some later time, talking about this particular 'processing' period. I'm not sure when this imagined future is, but in it, I don't feel lost and most of the things I'm struggling with have been figured out. I'm not sure when I labeled my present as 'summer camp,' but there it is. I can write home while I'm here, but not with perspective. Perspective has to come on its own time. Still, I think I'm getting somewhere with this one, about sleeping safe and sound. I only now begin to understand what I lost when my own spaces were violated. And how fortunate I am to be on the mend. Or even to have ever felt safe in the first place.
And I've decided, learning this, to cut myself a little slack. I'm not going to exempt this exam and I might need an extra pencil.
Maybe you've gone through something and you're plowing through and soldiering on, assuming that functional means sanity, patting yourself on the back for being brave, for pushing your hurt aside so you can do a good job, be a good parent, finish one more project. You're determined to out-think, out-run and out-perform after a shake up. All that's admirable, but maybe not so realistic. These unexpected life events change us profoundly and sometimes all it takes is to acknowledge their importance. That we're change by them is part of what makes us human and that, as humans, we're going to be lost sometimes. It's our nature. Don't forget to be kind to yourself during the transitions. It's when you'll need it most. Remind yourself that you won't stay lost. Because, you won't.
Sunday, May 06, 2012
between the between
Between coats of paint and firing of sculptures, I had a discussion. (below) Seemed as good a post as any I can come up with at this point. I worked since 7:30am and I are tired.
But, last night my kid and I howled at the moon. And today, his dad and I worked together for same such kid's well-being and education. The good stuff, not in the curriculum. Schools don't tend to teach our kids what they need. They weren't designed to.
Don't coddle me. If you're here, you know me. And you know I love you. It's okay to disagree. Another reason this makes a good post is that it's an opportunity to share an interesting technique: When having a disagreeable discussion, I like to imagine myself in an adorably cute sleeveless cocktail dress. It helps keep things civil.
Often. Not...always.
But mostly, because I'm tired and can't compose something better than this at the moment. Off to get a beer and watch Game of Thrones.
***
...in the U.S., first and foremost it is man-made and can be removed by, the people who are actually in poverty.
But, last night my kid and I howled at the moon. And today, his dad and I worked together for same such kid's well-being and education. The good stuff, not in the curriculum. Schools don't tend to teach our kids what they need. They weren't designed to.
Don't coddle me. If you're here, you know me. And you know I love you. It's okay to disagree. Another reason this makes a good post is that it's an opportunity to share an interesting technique: When having a disagreeable discussion, I like to imagine myself in an adorably cute sleeveless cocktail dress. It helps keep things civil.
Often. Not...always.
But mostly, because I'm tired and can't compose something better than this at the moment. Off to get a beer and watch Game of Thrones.
***
...in the U.S., first and foremost it is man-made and can be removed by, the people who are actually in poverty.
Friday, May 04, 2012
flower
I've been ill for days with a sore throat and ache thing, so today, feeling a bit better, I packed Poppets and sent them on their ways with apologies for the delay. If you're waiting for arrivals and wondering, please don't hesitate for a second to ask after them. I'd always rather hear from you than not.
I took a break when my son Phillip called. We talk on Fridays and tell each other about our weeks. He sees the world often through the same lenses I wear, so there's usually laughing. Today was no exception. The sky had begun to darken as we said our goodbyes. I watched the snowy egrets soar in and circle, then finally take their positions in their nesting tree. The crows too, coming home to the palms around the house. I knew these weren't ravens by the shapes of their tails. "You are a crow," I said to one, "and I love you." And before the crows were fully settled in, the bats began to flit and flutter out of their secret places.
The changing of the guard is different each time and always exactly the same.
I haven't witnessed it in some time. Before I was sick, I was busy, before that... That it captivates me still reminds me that things out of sight are not necessarily lost. Possibly this time I finally get it.
Now I've come inside and opened all the windows to let the desert night whisper in. The moon is full and glorious and at any moment the coyotes will make themselves known. Cats and rabbits, beware.
This might be the moment I love her most, this desert. Finally, I know with certainty I'll leave her.
But not today. It's the weekend and I intend to embrace it as it unfolds.
I'll introduce you to Flower, and wish you happiness until next time.
I took a break when my son Phillip called. We talk on Fridays and tell each other about our weeks. He sees the world often through the same lenses I wear, so there's usually laughing. Today was no exception. The sky had begun to darken as we said our goodbyes. I watched the snowy egrets soar in and circle, then finally take their positions in their nesting tree. The crows too, coming home to the palms around the house. I knew these weren't ravens by the shapes of their tails. "You are a crow," I said to one, "and I love you." And before the crows were fully settled in, the bats began to flit and flutter out of their secret places.

I haven't witnessed it in some time. Before I was sick, I was busy, before that... That it captivates me still reminds me that things out of sight are not necessarily lost. Possibly this time I finally get it.
Now I've come inside and opened all the windows to let the desert night whisper in. The moon is full and glorious and at any moment the coyotes will make themselves known. Cats and rabbits, beware.
This might be the moment I love her most, this desert. Finally, I know with certainty I'll leave her.
But not today. It's the weekend and I intend to embrace it as it unfolds.
I'll introduce you to Flower, and wish you happiness until next time.
Tuesday, May 01, 2012
Half Day

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Did get the Lady Catelyn Stark photographed, and two potential ads. Between complaining, did a bit of writing too. All things considered, I've had worse days. Still,now it's time for mandatory rest. Silly human am I.
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