While I photo'd the bronzes, I snapped this pencil drawing. It's one of the illustrations from Strange Attraction. They (whom I won't name until I have contracts in hand) are making noises about bringing out the trade paperback edition of the anthology this coming October. I'd like to see that happen, as all the pencil illustrations would be there, which were only in the limited edition hardcover, and some new photos, which weren't in any of the editions and a new John Grant story would be in there. I'm not holding my breath, but I might cross my fingers. Maybe. If I'm not using them at the moment. Then, when am I ever NOT using my fingers? We'll see. This drawing is for a really, really fine Charles DeLint story called "Many Worlds are Born Tonight." I was thinking of posting some excerpts from the anthology on days when I'm too bogged down in studio work to post. I'll try it, and you'll tell me if you want more or to please, please stop.
Friday, April 29, 2005
Strange Attraction stirrings...
While I photo'd the bronzes, I snapped this pencil drawing. It's one of the illustrations from Strange Attraction. They (whom I won't name until I have contracts in hand) are making noises about bringing out the trade paperback edition of the anthology this coming October. I'd like to see that happen, as all the pencil illustrations would be there, which were only in the limited edition hardcover, and some new photos, which weren't in any of the editions and a new John Grant story would be in there. I'm not holding my breath, but I might cross my fingers. Maybe. If I'm not using them at the moment. Then, when am I ever NOT using my fingers? We'll see. This drawing is for a really, really fine Charles DeLint story called "Many Worlds are Born Tonight." I was thinking of posting some excerpts from the anthology on days when I'm too bogged down in studio work to post. I'll try it, and you'll tell me if you want more or to please, please stop.
Much ado in the Studio
Greetings all.
I've not posted in a few days because I've been working many hours in the studio.
The Harlan Ellison rat has been somewhat problematic. I wanted to show Harlan's spectacular white hair AND have him dressed as Zorro. What I learned is that Zorro doesn't work without his hat---on his head. Harlan kept coming out looking like Poncho, or a Ninja Turtle. And those are just, well, wrong. For awhile he looked a bit like the late Robert Preston. Sigh. I finally got it all worked out and he is about to be molded. Tonight, in fact, if I can outlast the Orion unit. I'm very pleased and I think Harlan will be too. Will send you a sneak preview soon.
I wanted to thank Steve and "K" for your comments on the angels. K's "not a shred of sentimentality" tells me I'm exactly where I wanted to be on this one. Precisely spoken and quite encouraging.
I've started framing up a new one---very large. Now I'm debating whether to make this one a male figure. I've been wanting to do one. I miss the fine detail of figurative sculpting and would be able to show a lot more of his body. Was thinking of making him bare chested. I don't know if I'm ready yet. Not sure I can afford to put that much time into one sculpture just yet, no matter how much I want to. I'm thinking if I sell another angel or large piece soon, then I can 'go for it'.
The more I think of it the more the idea of an angel book apeals to me. Steve asked 'why angels?" I'd like to tell you more about that one. Maybe the book is the place for those stories.
Some of those might need the blanket of 'once upon a time' around them. Some of them are hard. I've said before that I'm not religious and don't 'believe' in angels in a traditional sense. They have shown up occasionally. (heh--obviously!)
Here's some studio/technical weirdness for you:
I was watching this documentary about Big Foot hoaxes. Really interesting and really funny, er, if you like that kind of thing. One of the weird things was the suggestion that a silicone mold could be soaked in paint thinner and it would increase in size up to 130% of it's original and keep detail. Being me, of course I tried it, with a piece of a mold I was going to discard that had detail. I cut a square and then cut that in two and put half in paint thinner overnight. It worked beautifully. The only drawback is that it doesn't last, so if you want to enlarge something you must make the new casting while the mold is swollen from (i'm guessing) absorbing the paint thinner. I have no idea how it would affect the mold long term. I'm filing this info away, to use for some later application not involving castings of anyone's feet, including a certain well-loved primitive who prowls the woods of the Northwest.
I'm preparing to leave for LepreCon on Friday morning with lots of work in tow, plenty to talk about and no venue. I may have to find an unoccupied street corner in downtown Carefree. They'd be ever so pleased...
I've just begun drawings for the final kinetic sculpture for the Dark Caravan series.
We're working on getting photos on the site now. In the meantime, they can be in the second volume of The Frank Collection----there is a link on the carnival page for that. This one is going to be featuring Jack, who has been the heart (albeit a black, black one) of Dark Caravan since its conception. He will be a working, moving fortune teller.
Okay. Without more coffee, this is all I have for now. I'll get some photos up for you soon.
G'night
I've not posted in a few days because I've been working many hours in the studio.
The Harlan Ellison rat has been somewhat problematic. I wanted to show Harlan's spectacular white hair AND have him dressed as Zorro. What I learned is that Zorro doesn't work without his hat---on his head. Harlan kept coming out looking like Poncho, or a Ninja Turtle. And those are just, well, wrong. For awhile he looked a bit like the late Robert Preston. Sigh. I finally got it all worked out and he is about to be molded. Tonight, in fact, if I can outlast the Orion unit. I'm very pleased and I think Harlan will be too. Will send you a sneak preview soon.
I wanted to thank Steve and "K" for your comments on the angels. K's "not a shred of sentimentality" tells me I'm exactly where I wanted to be on this one. Precisely spoken and quite encouraging.
I've started framing up a new one---very large. Now I'm debating whether to make this one a male figure. I've been wanting to do one. I miss the fine detail of figurative sculpting and would be able to show a lot more of his body. Was thinking of making him bare chested. I don't know if I'm ready yet. Not sure I can afford to put that much time into one sculpture just yet, no matter how much I want to. I'm thinking if I sell another angel or large piece soon, then I can 'go for it'.
The more I think of it the more the idea of an angel book apeals to me. Steve asked 'why angels?" I'd like to tell you more about that one. Maybe the book is the place for those stories.
Some of those might need the blanket of 'once upon a time' around them. Some of them are hard. I've said before that I'm not religious and don't 'believe' in angels in a traditional sense. They have shown up occasionally. (heh--obviously!)
Here's some studio/technical weirdness for you:
I was watching this documentary about Big Foot hoaxes. Really interesting and really funny, er, if you like that kind of thing. One of the weird things was the suggestion that a silicone mold could be soaked in paint thinner and it would increase in size up to 130% of it's original and keep detail. Being me, of course I tried it, with a piece of a mold I was going to discard that had detail. I cut a square and then cut that in two and put half in paint thinner overnight. It worked beautifully. The only drawback is that it doesn't last, so if you want to enlarge something you must make the new casting while the mold is swollen from (i'm guessing) absorbing the paint thinner. I have no idea how it would affect the mold long term. I'm filing this info away, to use for some later application not involving castings of anyone's feet, including a certain well-loved primitive who prowls the woods of the Northwest.
I'm preparing to leave for LepreCon on Friday morning with lots of work in tow, plenty to talk about and no venue. I may have to find an unoccupied street corner in downtown Carefree. They'd be ever so pleased...
I've just begun drawings for the final kinetic sculpture for the Dark Caravan series.
We're working on getting photos on the site now. In the meantime, they can be in the second volume of The Frank Collection----there is a link on the carnival page for that. This one is going to be featuring Jack, who has been the heart (albeit a black, black one) of Dark Caravan since its conception. He will be a working, moving fortune teller.
Okay. Without more coffee, this is all I have for now. I'll get some photos up for you soon.
G'night
Tuesday, April 26, 2005
Meander
Today was for picking up bronzes from the foundry. Pete offered to drive so I could work (think), but I was distracted. Have you ever noticed those non-descript ORKIN sedans----white, discreet logo, clean-cut driver.? Good conspiracy car. Hmmm. What do they know that we don’t? Oh yeah, the invasion. The bugs (scenes from Starship Troopers). Your friendly ORKIN man will be the only survivor…
Ok, forget that.
Listening to Lewis Black talk about how he is different from his stage ‘voice’ and why he still tours. Interesting, frank -sounding interview. Public radio.
Pete is driving and working in his head too.
We pass this house, high up on the hill, with descending levels of decks. Maybe it’s a restaurant. Beautiful out here with the wildflowers and the weather, but not much of a view for dinner, the highway.
Unless it was a futuristic multi-level, clover-leafing monstrocity filled with cars traveling at crazy high speeds. At night it would be like watching strings of interconnected chaser lights. The accidents would be spectacular. Would they be rare? What would be the odds of one happening during dinner? There would be wagers….
Ok, not that either. But you see how this goes…
The bronzes are quite nice. It’s a good foundry. I’ll put in a link tomorrow. And take some photos for the website, which is about to explode. I have lots of work for Ravyn to put up. Lots. S’ok. I’m casting her horse sculptures. I’ll show you those too…
There's something else, but----tomorrow---
Orion is nearly asleep. I think I’ll sit with him until he goes…
I might just go as well.
G’night
Ok, forget that.
Listening to Lewis Black talk about how he is different from his stage ‘voice’ and why he still tours. Interesting, frank -sounding interview. Public radio.
Pete is driving and working in his head too.
We pass this house, high up on the hill, with descending levels of decks. Maybe it’s a restaurant. Beautiful out here with the wildflowers and the weather, but not much of a view for dinner, the highway.
Unless it was a futuristic multi-level, clover-leafing monstrocity filled with cars traveling at crazy high speeds. At night it would be like watching strings of interconnected chaser lights. The accidents would be spectacular. Would they be rare? What would be the odds of one happening during dinner? There would be wagers….
Ok, not that either. But you see how this goes…
The bronzes are quite nice. It’s a good foundry. I’ll put in a link tomorrow. And take some photos for the website, which is about to explode. I have lots of work for Ravyn to put up. Lots. S’ok. I’m casting her horse sculptures. I’ll show you those too…
There's something else, but----tomorrow---
Orion is nearly asleep. I think I’ll sit with him until he goes…
I might just go as well.
G’night
Sunday, April 24, 2005
Games with No Rules, or This Week's Sermon
I am a fan of letting little kids pick out their own clothes each day. With the exception of some special occasions (usually involving grandparents), where a Batman T and ballet tutu wouldn’t be acceptable, I’ve let them go for it. I watch Orion now, scanning his shirts and shorts, working things out. He has his own logic. I can only guess at it, having barely a toe in the bright, magic waters of his world. By the time he can explain his choice, that world will have begun to recede.
I am keenly aware that he is just at the edge what Wordsworth called 'heaven.'
Heaven lies about us in our infancy!
Shades of the prison-house begin to close upon the growing boy.
William Wordsworth
Still, for me, no one ever described the effect of growing consciousness on the mind of a child better than William Blake in Songs of Innocence and Songs of Experience.
Blake was so, so right and naturally mad, some would say, as a hatter (which if I’m not mistaken, refers to the fume-induced highs of hatters, furniture makers, pre-computer graphic artists and contemporary sculptors.)
I have been through this before, this stage of transition, with Phillip, Alison and Aubrey. I swam in different waters each time, but now I remember things were much the same as this. This time, I'm taking a closer look before it has gone.
Orion is on the cusp. I watch him. He plays with the joyful abandon that is only possible in games with no rules.
But, he is just becoming aware of rules, and history. He is gaining Experience.
Today, Captain Picard can kiss Marge Simpson, jump onto his dragon’s back and fly to Terrytown and meet Jay Jay and Mr. Incredible to watch Clone Wars.
Orion can look at things (and people) with no history attached, with no rules. He has the ability to view lots of things (and people) in a pristine near -vacuum void of prejudice, history, significance, consequence, concern or value.
Orion has an open mind.
Fucking wow…
Okay, so children (and a select number of adults) can’t function in this state. (That’s what they need parents for.)
Rules are okay. The universe is run that way. And experiences and knowledge are the basis of our lives. They are what make us families, allowing us to love people who would otherwise annoy us to murderous degrees.
But still, WOW.
I try it on, such as I can. It doesn't fit and it feels funny but sometimes when I play with Orion I can let go and see things fresh. When I work in the studio I try to let go and see things fresh.
I’m getting better at it, I think. It’s sort of like whistling. I keep trying and trying until I get a little sound. Then I know what it feels like so the next time is easier. Eventually, I might be able to whistle a little tune. of joyful abandon It could happen.
Just like whistling, it's impossible to tell someone else how to do this but if you've done it, you know it.
Orion is becoming aware of the ‘ordinary light of day.’ Pretty soon Sponge Bob and Darth Vader won’t be friends anymore and he’ll know that apples come from trees and bologna comes from…oh, hell.
Then it's off to different worlds, like Reading. That's a good one.
And, yes, he is becoming aware of rules. The letters of the alphabet are arranged in a certain way, red means STOP and in the house, you ask for a cup of juice but in the studio, you drink right from the carton in the fridge. Yeah, he busted me.
It’s the way of it. That’s okay. Still I hope never to lose the awareness of that limiteless ocean of free thought. Maybe one day I'll dive in again. Hopefully, not in 'the home' my older children enjoy taunting me about, but there is that possibility. Still, I'll be older, and if I'm smart, more able to afford the good shit.
Suddenly I’m in the mood to curl up with some William Blake, a glass of milk and some cheap vanilla wafers, which to me are inexplicably more tasty than ‘Nilla’ at least whilst reading mad poets.
But then, I’m snapped back to daylight by the rude buzzing of the clothes dryer.
Sigh. I’ll just chug some juice from the carton and keep moving.
Free your minds, little dogies….free your minds.
G’night
Thursday, April 21, 2005
Relic V
It's Thursday and here is the finished Relic V. She survived the flames, but I came very close to turning the extinguisher on this one. I suppose I should mention that she will be with me at Leprecon, May 6 - 8, in Carefree (yes) AZ. I wasn't sure until recently that I'd be able to attend, so didn't schedule any programming. I will be in the art show though, so if you're there, please come by and say hello.
Wednesday, April 20, 2005
Luck Be Nimble
Luck Be Nimble... Mr Hyde never showed, but the nasty little virus that got Orion on Sunday joined the studio. Being the artistically driven, strong adults we are, we naturally dropped like flies and whined like babies. Now the worst is over and though I don't feel much like writing, I will sit here with my Gatorade and send you lots of photos.
Dancing Jester
It was while I was working on this figure that I first realized a bit of Anansi Boys was seeping through. It wasn't anything particular, any single character, but just the overall 'feel'. I went back and looked at the little puppets and how I'd changed the spiders and there it was. Now, the influence was evident. Cool! I love it when this happens.
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