tag:blogger.com,1999:blog-9604161.post111413605529462806..comments2024-01-07T00:44:10.737-08:00Comments on Lisa Snellings: Relic VAnonymoushttp://www.blogger.com/profile/17033378825749946868noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-9604161.post-1114701944058107422005-04-28T08:25:00.000-07:002005-04-28T08:25:00.000-07:00This looks great. The color really brings it forwa...This looks great. The color really brings it forward. That along with the faces in the background being larger on the bottom and smaller at the top gives it much more depth. The angel looks to be pulling away from the background.<BR/>Excellent work and I enjoy your writings on the process. I look forward to more.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-9604161.post-1114173039257974932005-04-22T05:30:00.000-07:002005-04-22T05:30:00.000-07:00I'm fascinated by the difference in the angel from...I'm fascinated by the difference in the angel from the black-and-white to the color. She gained identity and presence when colored, but I'm fascinated by the implied ambiguity between foreground/background figures in the pre-color stage.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-9604161.post-1114139346251116512005-04-21T20:09:00.000-07:002005-04-21T20:09:00.000-07:00That's great! Does look a little toasty on the bo...That's great! Does look a little toasty on the bottom! I like look that the bubbles on the frame gives the overall piece. <BR/><BR/>Question time, are the angels themselves something you create separately and then attach to the background or are they all one?Carl V. Andersonhttps://www.blogger.com/profile/15948764216438379394noreply@blogger.com